Skip to main content

The Fountain

November 26, 2006
Metro Cinemas, Seattle

Several years ago, I remember waiting with anticipation for Pi to open. Pi was Aronofsy's first feature and it wasn't a dissapointment. It quickly ranked among my favorites. Requium for a Dream didn't make me rush to the theaters and to this day, I have only watched some of it on cable. This can be blamed on my annoyance with the addiction plot line. Drug addiction doesn't interest me. I've seen plenty of films on the subject matter and haven't cared for any of them. Cest la vie.

But I did make a point to see
The Fountain. And I have no idea whether or not I could call The Fountain a good film, but I would certainly call it an interesting film.

I'm not going to bother to sum up the plot beyond saying that the film interweaves three stories, or maybe just one story in three settings, one involves a historic quest for immortality through seeking the fountain of youth, one is a modern day story of a researcher attempting to cure cancer and another, is set in some higher plane of consciousness where we witness the care of a dying tree. These stories share the theme of the striving for immortality.

What is particularly interesting about this film is that the action is entirely driven my symbolism. Very little happens in this film. Instead we are asked to interpret the meaning behind multi-layered symbolism.

I enjoyed this film, but it was challenging. I do not feel like I really understood enough to write in a coherent way about the film. I would like to see it again to further explore the depth of this project because unlike the subject of drug addiction, questions concerning the nature of like, death and the possibility of immortality is interesting. These are very philosophical questions, but it is amazing that Aronofsky was able to brining these philosophical questions to the screen in any kind of coherent movie.

Comments

Popular posts from this blog

Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhastan

Right after seeing Sacha Baron Cohen's film, Borat, I was disappointed. I didn't laugh nearly as hard as I had hoped and it wasn't quite as outrageous as I had expected. But in retrospect, I have to admit the comic brilliance of Borat. Sacha Baron Cohen has adeptly created a film about a fictional man, Borat, from a fictionalized Kazakhastan and used this creation to show the hipocracy of America. Using tactics pioneered by reality television shows, Borat travels across America on a quest to find his true love, Pamela Anderson. On this journey, he meets numerous people who share their thoughts about a multitude of things, exposing the way some Americans really believe about race, class, homosexuality and the other sex. It is a very interesting film. Sure, it gets laughs from ambushing Pamela Anderson with a wedding bag, traveling with a bear, and a bit of naked wrestling, but this film is also very smart in its sly portrayal of the wealth of prejudices that are ali

Girls who are boys, who like boys to be girls...

Where does one begin? Peaches Does Herself is a German concert movie of Peaches. Written by, Directed by and starring Peaches. But how does one describe this experience? Normally, I skip the Face the Music program of films at SIFF each year, but Peaches Does Herself was described as the queerest film in the festival. As it turns out, I knew exactly one Peaches song prior and still know little to nothing about her, but it didn't matter. I enjoyed the music and most of all, I loved her persona. Her sexuality was on display and was not only unapologetic, but read as loud as if it were a billboard with "fuck normalcy and judgement, this is who I am" in bright pink neon. To give an overall impression of the film, I've decided just to lay out what happens along with stills. I suspect that is the best I can do for readers to decide whether this is something they should seek out. The film begins in Peaches' bedroom and after the dancers climb through a giant vu

Brand Upon the Brain! And more horror...

Brand Upon the Brain (2007) - I'm on so much crack! I'm a huge fan of horror. Guy Maddin! I love his movies and he was just in Seattle to perform Brand Upon the Brain! I'm certain I've written about Guy Maddin's films in the past, because he has been in Seattle several times for screenings and discussions of his work, especially since he spent quite a bit of time here casting, filming and scoring Brand Upon the Brain! with all local talent. What is so unique about Guy Maddin is that he creates modern, silent expressionist horror movies. His other films have been scored and therefore have the look and feel of a 1920s era silent picture without being silent. Brand Upon the Brain! is a silent movie and his best feature thus far. Like much of Maddin's previous work, this is totally autobiographical, or to quote Guy, "The thing is literally a true story - only much, much better." The main character is the prepubescent, Guy Maddin (Sullivan Brow