Skip to main content

The Social Network

Don't you hate it when a film really says something and makes you want to talk about it, but you never can find just the right words to do so. A month ago, I saw The Social Network at an advance screening and have been thinking about just how brilliant the portrayal of Mark Zuckerberg and the creation of facebook is done. I knew that I needed to see the film again in order to really collect my thoughts, since it was severely underlit and the pace was so quick that it was difficult to reconstruct the sequence of events after.

But now that The Social Network has opened, the professionals have been busily writing amazing things. I think Jim Emerson has succeeded in seeing the same film I did in the same way. I totally saw that The Social Network is a film about class and privilege in college as well as a character study of someone who is ultimately unlikable. And I gravitate toward these prickly people.

Jim Emerson: The Social Network: Communicating in code

Comments

Popular posts from this blog

My attempt at Filmspotting's Top 5 List

I just finished listening to Filmspotting podcast, episode #296, and I've been inspired to begin a small project. My concept of great cinema has changed now that I live in a place with so many choices. When I lived in Anchorage, I primarily saw movies at the local Art House, Capri Cinema. Rand, being an out gay man, tended to show a lot of GLBT cinema as well as the better known independent/art house films. The years I lived in Columbia, I watched more mainstream film and really, just about everything that came to town that sounded at all interesting. But in Seattle, the choices are overwhelming by comparison. Sometimes I'll see a classic film, or a film with a lot of buzz, and there are a lot of foreign language films, because of the wide variety of cinema I have access to, I am now a very devoted fan of Asian cinema. The filmmakers in Hong Kong, Korea, China, Japan, Thailand are incredible. And this isn't at all limited to the genre films that have made Asian film

Horror?

From Blogger I apparently have no clue what a horror movie is. Or at least, when the challenge rolls around and I take the leap and attempt to watch 31 horror movies, I suddenly feel as if I have no idea what that means. There are times when it is obvious that a movie is horror; Friday the 13th, Halloween, Texas Chainsaw Massacre . Once I dive into the challenge, I begin to question whether the movies I'm seeing really count. This year, I've seen Buried, Carrie, Clean, Shaven, Nosferatu (1922), Scanners, Sisters , and I sell the Dead . Nate protested Sisters, saying DePalma's movie about a pair of disturbed Siamese twins isn't a horror movie. And he has a point, but how is one supposed to choose movies without having seen them before to really know whether they are horror? Especially since I'm only using the challenge to catch up on movies that I should see because they are classics and to re-watch a few others that need to be revisited. But picking the

Girls who are boys, who like boys to be girls...

Where does one begin? Peaches Does Herself is a German concert movie of Peaches. Written by, Directed by and starring Peaches. But how does one describe this experience? Normally, I skip the Face the Music program of films at SIFF each year, but Peaches Does Herself was described as the queerest film in the festival. As it turns out, I knew exactly one Peaches song prior and still know little to nothing about her, but it didn't matter. I enjoyed the music and most of all, I loved her persona. Her sexuality was on display and was not only unapologetic, but read as loud as if it were a billboard with "fuck normalcy and judgement, this is who I am" in bright pink neon. To give an overall impression of the film, I've decided just to lay out what happens along with stills. I suspect that is the best I can do for readers to decide whether this is something they should seek out. The film begins in Peaches' bedroom and after the dancers climb through a giant vu