Skip to main content

SIFF 2011: The Future


One problem I have with trying to write something about every film that I see at SIFF each year is that there are movies that not only am I not impressed by, but literally have no thought on them at all. The Future would be one of those. So instead of sitting around trying to figure out what Miranda July was intending, I thought I'd just ask Nate whether he had any thoughts on the Future. I think listening to his complaining about Miranda July's movie was much more enjoyable then actually watching it. Now for a few paraphrased quotes, that probably aren't even accurate since I am sitting in a bar writing this as I wait for my next SIFF screening. Because that is the sort of party girl that I am!

"You know, it could be kinda fun to be buried up to your neck and the only way I'd watch the Future again".

"I think Miranda July wrote a movie about all of the worst and most annoying qualities of both 90s slacker culture and hipster culture."

And when I asked what he thought of Miranda July's narration as Paw Paw the dying, shelter cat he replied that Paw Paw is Dylan Thomas, and quoted "Rage, rage against the dying of the light."

What it comes down to is that Miranda July has made an enjoyable, quirky and original film, Me and You and Everyone We Know, but her style doesn't translate well to darker material. I didn't find much compassion for a couple attempting to find meaning during an existential crisis caused by the potential stress of pet ownership. So they quit their jobs in an effort to find meaning and their relationship unravels after Sophie (July) cheats and Jason (Hamish Linklater) stops time to have a chat with the moon. Yup, it's that kind of movie...

Hopefully, there will be no more films narrated by dying shelter cats this year at SIFF.

The Future will have a limited release in the US in July.



The Future - Trailer HD

Comments

Popular posts from this blog

Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhastan

Right after seeing Sacha Baron Cohen's film, Borat, I was disappointed. I didn't laugh nearly as hard as I had hoped and it wasn't quite as outrageous as I had expected. But in retrospect, I have to admit the comic brilliance of Borat. Sacha Baron Cohen has adeptly created a film about a fictional man, Borat, from a fictionalized Kazakhastan and used this creation to show the hipocracy of America. Using tactics pioneered by reality television shows, Borat travels across America on a quest to find his true love, Pamela Anderson. On this journey, he meets numerous people who share their thoughts about a multitude of things, exposing the way some Americans really believe about race, class, homosexuality and the other sex. It is a very interesting film. Sure, it gets laughs from ambushing Pamela Anderson with a wedding bag, traveling with a bear, and a bit of naked wrestling, but this film is also very smart in its sly portrayal of the wealth of prejudices that are ali

Girls who are boys, who like boys to be girls...

Where does one begin? Peaches Does Herself is a German concert movie of Peaches. Written by, Directed by and starring Peaches. But how does one describe this experience? Normally, I skip the Face the Music program of films at SIFF each year, but Peaches Does Herself was described as the queerest film in the festival. As it turns out, I knew exactly one Peaches song prior and still know little to nothing about her, but it didn't matter. I enjoyed the music and most of all, I loved her persona. Her sexuality was on display and was not only unapologetic, but read as loud as if it were a billboard with "fuck normalcy and judgement, this is who I am" in bright pink neon. To give an overall impression of the film, I've decided just to lay out what happens along with stills. I suspect that is the best I can do for readers to decide whether this is something they should seek out. The film begins in Peaches' bedroom and after the dancers climb through a giant vu

Brand Upon the Brain! And more horror...

Brand Upon the Brain (2007) - I'm on so much crack! I'm a huge fan of horror. Guy Maddin! I love his movies and he was just in Seattle to perform Brand Upon the Brain! I'm certain I've written about Guy Maddin's films in the past, because he has been in Seattle several times for screenings and discussions of his work, especially since he spent quite a bit of time here casting, filming and scoring Brand Upon the Brain! with all local talent. What is so unique about Guy Maddin is that he creates modern, silent expressionist horror movies. His other films have been scored and therefore have the look and feel of a 1920s era silent picture without being silent. Brand Upon the Brain! is a silent movie and his best feature thus far. Like much of Maddin's previous work, this is totally autobiographical, or to quote Guy, "The thing is literally a true story - only much, much better." The main character is the prepubescent, Guy Maddin (Sullivan Brow